“Olivia apparently does a dance class — in the area that she lives with a bunch of friends — on a regular basis. And the last time she did the class, they had danced to that song,” Gillian Anderson, who played Margaret Thatcher in season 4 of the Netflix historical drama, said on Late Night With Seth Meyers on Wednesday, January 27. “She asked if we would happen to be interested in maybe doing it.”
“[Olivia said] she would video it, and then she would just share it only with her friends, the other dancers,” the X Files alum recalled. “It was never meant to see the light of day.”
Well, so much for that. With a sly laugh, Seth Meyers cued up the video, which was recorded between takes of a funeral scene, and played it for his late-night viewers.
In the hilarious clip, Colman, 46, enthusiastically busted a move in her Queen Elizabeth II costume as Menzies, also 46, Bonham Carter, 54, O’Connor, 30, Marion Bailey, Erin Doherty and other costars followed her lead. They ended the dance with a perfectly in-sync glide to the right (“Cha Cha Slide” style) and a collective “Woo!”
Meyers, 47, called the choreography “really good,” but Anderson was visibly mortified.
“So humiliating,” she said, shaking her head. “I mean, that look on my face. I don’t even know. There’s such delight and shame all at once.”
The TV host tried to lighten the mood, telling the Chicago-born actress that she “did a better job than Margaret Thatcher would have done.” He also acknowledged that it was “a pretty low bar,” however.
Anderson only played the late British prime minister in one season of the streaming hit, but she had a blast doing so. She shared several photos and videos with her castmates via Instagram and Twitter in 2020 as they enjoyed some rare downtime on set. In one particularly funny video that she tweeted in December, Colman reversed her car out of ditch while looking like the spitting image of the queen.
The Crown is now streaming on Netflix.
If there’s anyone who knows how to captivate us with the subtle and magnificent power of performance, it’s Olivia Colman.
One of Britain’s best-loved actors drew us in with a series of pitch-perfect roles in Peep Show, Broadchurch, The Queen, The Night Manager – and of course, her Oscar-winning turn in 2018 period comedy The Favourite.
Clearly, this is a woman who knows how to get under an audience’s skin with raw, emotive and inherently believable storytelling.
So it’s music to our ears to hear that Coleman’s performance in a new film about a father’s struggle with dementia is being hailed as one of her greatest yet. The trailer for the drama has just been released, offering a glimpse of what the film critics are so excited about.
The Father, based on an award-winning French play of the same name, sees Colman play Anne, the daughter of larger-than-life Anthony (Anthony Hopkins), who is suffering a slow and baffling decline from dementia.
Anthony’s battle with the degenerative illness is all the more gut-wrenching because of the kind of charming, cantankerous and ebullient person that he is. The audience sees first-hand his frustration at the worried reactions of those around him, including his daughter (Colman), his nurse (played by Imogen Poots) and a third woman (Olivia Williams) who appears to become his daughter.
“The way you keep looking as if something is wrong, everything is fine,” he snaps at his daughter at one point, as she herself is heard saying: “I saw it in his eyes, he didn’t know who I was. It was like I was a stranger to him.”
The new film is written and directed by French novelist Florian Zeller, who also wrote the play. But those expecting a one-dimensional drama about the tragedy of memory loss are in for a surprise.
As well as drawing back the curtain on the more heartbreaking aspects of dementia, The Father brings moments of farcical comedy in the mix – along with a thriller-esque feel of unreality. The viewer is invited to experience dementia from an inside perspective, so they are never really sure whose version of reality is correct, or where/in whom danger lies.
Amid this creeping sense of unease, Colman takes commanding lead as a woman who is struggling to balance the demands of her increasingly erratic father with her own life, and her relationship with husband and maybe-bad guy Paul (Rufus Sewell).
The play on which The Father is based won the prestigious Molière award; an honour that the film version now seems likely to emanate. After airing at Sundance earlier this year, several critics tipped Zeller’s adaptation for Oscar success next year (LA-based critic and writer Donny Sheldon hailed Colman’s performance as “the most empathetic, heartfelt work of her career”).
Just under a million people suffer from dementia in the UK according to Alzheimer’s Society, and that figure is set to rise to 1.6 million by 2040.
With the condition still widely misunderstood and coated in confusion – not least from the perspective of those who have it, and their loved ones – The Father plays an important role in driving the narrative around dementia forward (and in that sense, it’s not dissimilar to Emma Healey’s hit thriller novel Elizabeth Is Missing, which was also based on a protagonist with dementia).
One thing’s for sure: with the powerhouse duo of Colman and Hopkins at the helm, this twisty and harrowing film is sure to be top of your watch list when it comes out in 2021.
Do you need support with a loved one suffering from dementia? Get expert help and guidance at DementiaUK
The Favourite actress revealed how a transplant gave classmate Pip “hope in the darkness”.
Colman urges the public to sign up to the charity’s stem cell register, which she and husband Ed Sinclair joined in 2008, so that others have a chance of living. In the film, she says: “Sadly my friend Pip didn’t make it, but together we can make sure more people like Pip do make it. We want more people on the register. It’s just a little swab of the mouth … Without you there is no cure.”
Pip’s only chance of survival had been a donor who could provide a perfect match, according to Colman. Soon a donor was found in Australia. “Anthony Nolan did an amazing thing,” Colman said. She became patron of Anthony Nolan in July last year.
About 2,000 people in the UK need a stem cell transplant every year. Donations from young men and people with black, Asian and ethnic minority backgrounds are needed in particular.
Anthony Nolan’s chief executive Henny Braund said: “It is wonderful to have Olivia’s support and I am grateful to her for sharing this heartfelt story. This will help us continue to give hope to thousands of people every year.”