She plays Hildegarde Schmidt, handmaiden to Judi Dench’s character Princess Dragomiroff, and it sounds like she couldn’t have had a better experience on set.
“It was heaven,” she said, speaking on The Andrew Marr Show. “I sat next to Judi Dench all day, holding a dog. It was heaven!”
The Broadchurch actress was recently announced to be taking over the role of Queen Elizabeth II from Clare Foy in Netflix drama The Crown.
And Colman revealed all about just how excited she was to hear the news about her casting.
“I was on speaker phone in the car with my husband and we’d recently finished watching The Crown,” she said. “And my agent said, ‘Would you go and meet, as a secret, about a tiara?’
“She was trying to be subtle and I went ‘The Crown?! The Crown?! Oh my god yes!’ And my husband was silently clapping in the background.
“So we were quite excited – I was very excited!”
She and Murder on the Orient Express co-star Michelle Pfeiffer also spoke about the recent allegations surrounding Harvey Weinstein, with Colman pointing out that “women in their 20’s are purposefully targeted”.
Pfeiffer added: “I’ve had some experiences. I have to say since this has all come out, there really hasn’t been one woman that I’ve talked to who hasn’t had an experience.
“And it just goes to show you how systemic the problem is.”
Charting the life and times of the Windsor dynasty, The Crown season three will tackle a time jump for the biographical drama, and include a whole new cast.
Speaking to Radio Times, Colman revealed that she was nervous to take over from Foy to play the country’s longest-reigning monarch.
“She was just very supportive,” confirmed Colman. “She said I’ll have a lovely time, everyone on it is amazing; the voice coaching is impeccable… I’m just full of fear because you don’t want to be the one who screws it up.”
But it sounds like Foy is more than happy to leave behind some handy hints, as Colman added: “She’s lovely, and she said I can call her anytime.”
Foy has already passed her judgement on the casting, and thankfully, Colman’s fear seems to be equally outweighed by her excitement to take on the iconic role of Queen Elizabeth II.
“I have remained ridiculously excited since. I’m trying to be cool,” the Broadchurch and Murder on the Orient Express star said.
“My agent was trying to be subtle, not knowing who was in the car with me, and she went, ‘It’s something about a tiara’, and I went ‘Oh, it’s The Crown!'”
Foy will leave after season 2, leaving Colman as an older version of the Queen in season 3 and 4 of the The Crown.
With six seasons expected from Peter Morgan’s historical heart-warmer, it’s expected that Colman will portray Elizabeth II in the middle of her life.
But with season 2 of The Crown still yet to hit the streaming giant, fans of the show will have to wait until 2019 before they can see Colman pick up the sceptre.
The Crown returns for its second season on Netflix on Friday, December 8.
Olivia Colman says Claire Foy will be an “incredibly hard act to follow” on The Crown.
The star of Broadchurch and The Night Manager takes over the role of Queen Elizabeth II from Foy, who portrays her in the early years of her reign.
She said: “I’m so thrilled to be part of The Crown. I was utterly gripped watching it.”
Colman will be in series three and four of the show and is due to be seen in the role from 2019.
She paid tribute to her predecessor, saying: “I think Claire Foy is an absolute genius – she’s an incredibly hard act to follow.
“I’m basically going to re-watch every episode and copy her.”
Foy was equally complimentary, saying she was “apoplectic with joy” when she found out Colman was being lined up for the show.
“I just love her, I admire her so much and the idea that we sort of will be doing the same job but not actually working together is just enough – I’m honoured by that,” she said.
It is yet to be revealed who will play Prince Philip. Former Doctor Who actor Matt Smith is currently starring as the Duke of Edinburgh.
He and Foy will soon be seen in the second series of the show, due for release in December.
Foy, who has won a Golden Globe for the part, has previously said she was aware she would only be in two series.
“This is the last stint,” she told The Graham Norton Show. “It’s over, I’m done.
“I always knew it was only going to be two series and then the part would be reincarnated and someone else takes over. That’s the nature of the part.”
Colman, who won a Golden Globe for The Night Manager and has also appeared in BBC Three’s Fleabag, will play the Queen in the years from 1963, when the monarch turned 37.
Another actress is expected to take over to play the monarch in later life.
Fans were excited by her casting, with one saying it was “amazing news”.
Colman has form starring as royalty. She played the future Queen Mother in 2012’s Hyde Park on Hudson and will be seen as Queen Anne in next year’s The Favourite.
Netflix’s drama started in 1947 with Elizabeth’s engagement to Prince Philip and is expected to continue up to the present day.
In an era of scant good news, we got some last week: Olivia Colman will play Queen Elizabeth II on the next two seasons of The Crown, taking over from Claire Foy after the upcoming second series. Fans were worried about who would fill the role, but Colman, of Broadchurch and The Night Manager, is BBC’s perfect choice to play the Queen during her middle years.
Let us tell you why: Firstly, she’s used to playing royalty. She played the future Queen Mother in Hyde Park on Hudson with Bill Murray, and Queen Anne in The Favourite, set for release next year. If anyone can pull off extreme regality, it’s Colman.
On top of that, the actress can make nearly anything interesting, and the time period covered by The Crown in seasons three and four, which Colman is now signed up for, are potentially the dullest, so her presence will be somewhat of a godsend. We’ll see her as Elizabeth in the ’60s, ’70s, and ’80s, during which the most exciting event was probably one assassination attempt. (In the ’90s, we’ll get Elizabeth and—gasp—Diana!) Colman is pleasant and sunny in interviews but can make any part unmissable (see the anguish of her character in Broadchurch, her icy bitchiness in Fleabag, or the humor in W1A and Peep Show).
Lastly, Colman does beleaguered, long-suffering wife like a champ, turning what could be simpering roles into simmering ones. Her role in Broadchurch had her dealing not only with a cheating husband but one who was also a serial killer; on Peep Show she expertly played Sophie, who tolerates main character Mark’s quirks as stoically as anyone could. Hence, she’s perfectly suited to deal with the philandering Prince Philip (though we don’t know who will replace Doctor Who’s Matt Smith yet).
Colman’s predecessor is just as happy as we are, if you need more convincing. Claire Foy told Variety, “I just think she’s extraordinary. She’s an extraordinary human being as well. I just think that she will make it her own. And I just can’t wait to see what she does with it.”
An evil godmother who Fleabag’s titular anti-heroine cheerfully describes as a “c***” is not a character you might typically associate with our beloved national treasure Olivia Colman, which begs the question: how did she get the part?
Lydia Hampson, who produces Phoebe Waller Bridge’s BBC3 comedy and is one of 2017’s BAFTA Breakthrough Brits, has revealed that Colman actually befriended Waller Bridge years ago on the set of the 2011 film The Iron Lady, when she requested that Waller Bridge write her into one of her future projects.
“Olivia had said to Phoebe, ‘If you ever write anything please tell me, I’d love to be in it,’” said Hampson.
“Phoebe told me that and I was like, ‘Oh my god! What could she be?’ In the original play version the godmother is literally just a presence at the top of the stairs, she doesn’t have any words, she’s not in it at all.
“So Phoebe kind of wrote up this idea of a godmother character that has a much larger role and Olivia, I believe, had said, ‘I’d love to play a real bitch.’ And so Phoebe was like, ‘I’ve got it!’”
Fleabag is returning for a second series in 2019, but it’s not yet known if Colman and the rest of the original cast will reprise their roles. Hampson couldn’t reveal any plot details, as Waller Bridge isn’t due to start writing until January…
Netflix has cast Olivia Colman to replace Claire Foy as Her Royal Highness in the drama series from Peter Morgan. Colman will take over the lead role for the show’s (not yet ordered but expected) third and fourth seasons. Foy was only set to play the young Queen for two seasons.
According to Netflix content chief Ted Sarandos, the plan is to have the period drama run for six seasons, following the Queen’s story throughout her whole life. “This is going to take Queen Elizabeth from age 29 to, presumably, the current day. We’ll see it lay out over decades,” the exec said last year. “The idea is to do this over six decades, in six seasons presumably, and make the whole show [run] over eight to 10 years.” Every two seasons, new castmembers are expected to be cast in the major roles to account for the years that have passed.
Foy herself spoke to The Hollywood Reporter about exiting the series, for which she won a Golden Globe earlier this year. “I’m quite philosophical about these things, and I think the amazing thing about the show is the fact that it will go on and that it hasn’t ended badly. It’ll go on and have another life,” she said. “I can’t wait to watch it, and I just think whoever they get to play that part, they’ll be extraordinary. I will never watch it with any sense of bitterness or regret. I will feel what I will feel now, which is so happy and lucky for the experience.”
Colman, who has had roles in feature films The Lobster and Hot Fuzz, will be seen next on the big screen in Murder on the Orient Express. Her television credits include Broadchurch, Fleabag and The Night Manager, the latter of which also won her a Golden Globe earlier this year.
The second season of The Crown is set to debut Dec. 8 on the streaming service. Season one castmembers Matt Smith (Prince Philip), Vanessa Kirby (Princess Margaret), Victoria Hamilton (Queen Mother) and Jeremy Northam (Antony Eden) will return. The series also will welcome newcomers Matthew Goode (as Lord Snowdon) and Michael C. Hall (as John F. Kennedy).
Actors Olivia Colman, Alice Englert and Thomas Mann have been roped in to star in ‘Them That Follow’. The movie will be helmed by Brittany Poulton and Daniel Savage, who will direct it from their original screenplay. Bradley Gallo and Michael Helfant will produce the flick for Amasia Entertainment, along with Gerard Butler, Alan Siegel and Danielle Robinson for G-BASE.
The movie is a dramatic thriller which is set deep in the wilds of Appalachia, where a Pentecostal pastor, Lemuel Childs, and his believers handle snakes filled with venom to prove themselves before God. The story of the film focuses on Lemuel’s daughter, played by Alice Englert, who holds a secret that threatens to tear church apart. She also has romantic past with a nonbeliever, Augie, played by Thomas Mann.
As Mara’s wedding to a devoted follower comes close, she has to decide whether or not to trust the cruel matriarch of their community, Hope, played by Olivia Colman. In doing so, she has to put her heart and life at stake. The makers will begin the production work of the flick from October in Ohio.
Joining the previously announced Olivia Colman will be Amanda Boxer, Cait Davis, Vanessa Emme, Yoli Fuller, Paul Hilton, Joseph Quinn, Sofia Stuart and Olivia Williams.
Kirkwood’s play focusses on Alice (Williams), a scientist working to find the Higgs boson at the Large Hadron particle collider in Geneva, when a tragedy collides her life with that of her Luton-based sister Jenny (Colman).
Directed by National Theatre artistic director Rufus Norris, Mosquitoes has designs by Katrina Lindsay, lighting by Paule Constable, music by Adam Cork, sound design by Paul Arditti and video design by Finn Ross and Ian William Galloway.
Mosquitoes runs in the Dorfman at the National Theatre from 18 July to 28 September.
More information: HERE
Buy tickets: HERE
Director Kenneth Branagh and the starry cast of his new version of “Murder On the Orient Express” gathered in London on Friday to show off new footage from the upcoming adaptation of Agatha Christie’s classic whodunit. Almost the entire ensemble cast, which includes Oscar winners Judi Dench and Penelope Cruz, “Star Wars” actress Daisy Ridley, BAFTA winner Olivia Colman and Tony winner Josh Gad, was on hand, with only Johnny Depp and Michelle Pfeiffer notable absentees.
They were later followed onstage by director Francis Lawrence, who introduced 18 minutes of footage from his upcoming spy thriller “Red Sparrow,” starring Jennifer Lawrence, which is currently shooting in London.
Branagh, who plays Belgian detective Hercule Poirot, introduced about 10 to 15 minutes of work-in-progress footage from the Fox film, saying: “This is the very first time any of this footage has been seen in this way. We’re very excited to share the promise and potential of this work.”
The footage featured four brief scenes that introduced the central characters, established the murder of one of them, and showed off the film’s epic vistas of snow-capped mountains. The footage was followed by the film’s trailer, which was first unveiled at CinemaCon in March.
Branagh and the cast spoke of the camaraderie on set, with Derek Jacobi, who plays the butler to Depp’s Edward Ratchett, describing the ensemble as having “a wonderful company feel about it.”
“What was very extraordinary was that we were all together,” added Dench, who plays Princess Dragomiroff. “It wasn’t like a film where you all do different bits. In this case we were all there all the time.”
Gad, who plays Depp’s assistant, said the backgrounds that were shot rolled by the windows of the on-set railway carriage during filming in England, “so it really felt like we were there.”
“I found myself going to the end of the train to watch the scenery go by as if I was on a real train, and I wasn’t the only one,” Branagh said, adding that the impression was so real to the cast and crew that it caused some ill effects. “Quite a few of us got motion sickness,” he said.
Gad said the production design was equally important to getting in character and into the story. “It was surreal. I just had the opportunity to go on the real Orient Express, and the detail that the production team brought is unreal, exquisite. It is so spot-on,” said Gad. “For us that intimacy really lends itself to Ken’s vision. When you’re in a confined environment, it creates a sense of unease, even if you have nothing to hide.”
The film, currently in post production and set for a Nov. 10 release, is the first big-screen treatment of Christie’s famous 1934 novel since Sidney Lumet’s 1974 version, which won a best supporting actress Oscar for Ingrid Bergman.
At the London event, Christie’s great-grandson James Prichard, who chairs the company that controls her estate, said the story was probably born of the prolific crime writer’s first trip on the legendary train in 1928 and that securing Branagh to direct and star was “awe-inspiring.” “He gets the grandeur of the work, and his vision as he first told it us made my hair stand up,” said Prichard.
Branagh said he made a conscious decision not to watch Lumet’s version, and that he had advised the cast also to avoid watching it. “Our goal is to try and find a new approach. That’s why classic stories are worth retelling,” he said, adding that “there are some surprises.”
Speaking later in the day about “Red Sparrow,” Francis Lawrence said he had about a week left to shoot on the film, which is due for release March 2, 2018.
The director said the film, which re-teams him for a fourth time with Jennifer Lawrence following the three “Hunger Games” sequels, was “definitely a hard R [rating].” He said the biggest thrill for him was working with Lawrence on a role that he described as “very brave and very different for her.”
“She was willing to take some risks in this movie I think she might not have been willing to do for someone she didn’t know,” said the director.
He also said the film’s Russian spy narrative became “more politically relevant the more we worked on it.” “One of the questions we had originally was that thematically it didn’t seem as relevant as it could, but that had completely changed in the past year. It rings very true now,” said Lawrence, who first read the book while in post production on the “Hunger Games: Mockingjay” films.
Although the film is based on the first book of a trilogy, he said there were currently no plans to do sequels. But he added: “If this were to work, it would be fantastic to do another one.”
David Tennant, who played the time-travelling alien from 2005-2010, told Radio 4’s The World at One that Olivia Colman would be a “magnificent” Doctor, and could take Capaldi’s place when the character next “regenerates”.
Colman and Tennant know each other well, having co-starred in ITV crime drama Broadchurch. The series was created by Chris Chibnall, who is set to take over as Doctor Who’s head writer from next year. Chibnall’s appointment has prompted speculation that he might decide to bring in his Broadchurch colleague.
Tennant said: “If the two of them [Colman and Chibnall] have been having top secret discussions behind my back, I will be furious! Olivia would clearly be a magnificent choice.”
Colman would be the first female actor to play the character in the show’s 50 year history, though Joanna Lumley once took on the role for a Red Nose Day comedy special. Referring to the change of gender, Tennant said: “If the story was right, then why not? […] If you have the right people telling the right stories, then it’s absolutely a possibility.”
Bookmakers are offering odds around 20/1 on the three-time Bafta-winner landing the role, but Colman is not the only famous name in the running. Ben Whishaw, best known for playing “Q” in the Bond films, is currently the bookies’ favourite, while his Bond co-star Rory Kinnear and comedian Richard Ayoade are also considered likely contenders.
Capaldi surprised his fans when he revealed on Monday that he would be leaving after the 2017 Christmas special, to coincide with current head writer Steven Moffat’s departure.
“People who know the show and love the show get very attached to actors in the role but are also always kind of excited about the prospect of change and renewal,” Tennant said. “That’s how the show has managed to keep going for over 50 years, because it has that kind of built-in renewal system.”