Olivia Colman: I don’t often get to play the object of lust

Olivia+Colman+Night+Manager+Premiere+66th+hmych5sMd4Al Olivia Colman is laughing and blushing. “I don’t often get to play the object of lust,” confesses the actress. “I don’t know how to do it. It’s really fun to play and, it turns out, quite embarrassing. I got a bit nervous and giggly.”

Olivia, who has also starred in Broadchurch, The Iron Lady, Rev and The Night Manager, may be one of our most celebrated actresses, but she clearly doesn’t see herself as love-interest material.

But as Deborah in Channel 4 comedy-drama Flowers, a six-part series about a dysfunctional family that will be shown from Monday to Friday next week, she is propositioned by various family friends.

Olivia’s desperate, smiling matriarch Deborah is the glue that holds the family together.

Her husband, children’s author Maurice (The Mighty Boosh’s Julian Barratt), is depressed and suicidal, while their grown-up twins, Amy (Mount Pleasant’s Sophia Di Martino) and Donald (Eric And Ernie’s Daniel Rigby), are maladjusted. Amy is lost and sad, while her brother is a delusional, failed inventor.

Other characters include Aunty Viv, Deborah’s fun-loving sister, played by Anna Chancellor, neighbour Abigail (Murdered By My Boyfriend’s Georgina Campbell) and Shun, Maurice’s illustrator, played by Flowers’ writer and director Will Sharpe, best known as Yuki Reid from Casualty.

Flowers is Will’s first TV project as a writer and director, although he co-wrote and directed the independent film Black Pond.

“Flowers is about how your own state of mind can affect those around you,” says Will, 29. “I also knew that I wanted it to be funny, but not just funny.

I felt like I wanted it to be a bit like a non-sitcom sitcom. Something that while definitely a sitcom, finds its characters breaking the sitcom format by questioning their own identities and archetypes.”

Olivia, 42, says, “Deborah loves her family desperately, although she is misguided a lot of the time. If she can sense something is not right, she doesn’t necessarily try and sort it in the right way. It’s a symptom of the entire family that they don’t really listen to each other – or they listen but don’t hear, which is where a lot of the comedy comes from.”

The surreal feel of Flowers meant the actors, playing larger-than-life characters, had to produce some big performances.

It was a coup for the production to get an actress of Olivia’s stature, given that Will is a TV first-timer. But she says she’s never accepted a role because she thinks a show will be a hit, revealing, “I’ve never picked a project because it’s high profile. I picked Flowers because I liked the scripts and, if I’m enjoying myself, then I’m very lucky.”

Flowers came at a busy time for Olivia, who also filmed The Night Manager and gave birth to her third child last year. She and husband Ed Sinclair are also parents to Finn, 10, and Hal, eight.

Although the scripts must come pouring in, Olivia says that having once been an out-of-work actress, it’s hard to turn down work. “I do struggle. I really remember what it was like not to work, so it’s hard to wilfully say no,” she says.

“But it also looks like I’ve been working more than I have. Apart from Flowers, I’ve just had nine months off, because I’ve been with my baby. It’s just the luck of the draw that

The Night Manager and Flowers are showing fairly close together. My family is my first love and my first priority and I probably have more time at home than people with normal jobs.”

Olivia’s role in Flowers is very different from that of The Night Manager’s clever spy boss Angela Burr. The locations alone were certainly worlds apart but

Olivia says the jobs aren’t very different as life off-camera for actors is usually the same.

“Between scenes, it’s not very different whether you’re on a comedy or a drama,” she says. “We’re doing a job we love and that we want to do. I always try to remember, ‘Take the job seriously, but not yourself’. We’re really lucky.”

Flowers, Monday-Friday, 10PM, Channel 4

express.co.uk – Olivia Colman: I don’t often get to play the object of lust

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