Tag: review

Alice is a physicist working at CERN. Her sister Jenny is the kind of Google-trained, self-proclaimed “expert” who chain smokes but distrusts diet coke and worries that vaccines cause autism. Lucy Kirkwood’s latest play, following the excellent Chimerica, pits them against each other, in a grudge match of reason vs emotion that ranges from the risk of ultrasounds to the potential destruction of the universe at the hands of meddling scientists.

Both characters are deeply flawed, and it’s commendable to see portrayals of people who have suffered personal tragedies being forced to confront their actions rather than be coddled as helpless victims. The dialogue and acting are strong throughout, especially from Olivia Williams (Alice) and Broadchurch star Olivia Colman (Jenny) as the sisters. Their opening scene is a spectacular argument on the merits of facts over parental instincts, and is hilarious and moving to boot.

Colman in particular shines as an unsympathetic and tactless pseudoscience advocate, who nonetheless at times displays more emotional intelligence than anyone else in the play. A special mention should also go to Paul Hilton, who plays Alice’s estranged partner, a brilliant but unhinged physicist listed in the credits simply as “The Boson”. His monologues on the wonder of scientific discovery, fused with the visceral panic of experiencing mental breakdown, are sensational.

It’s quick-witted and thought-provoking, with a phenomenal set that at times resembles an intimate planetarium. It’s a shame, then, that there are too many competing plotlines and themes, which resolve towards the end in an unsatisfactorily forced conclusion. At crucial moments of tension, competing threads detract from the main story, with fresh crises looming before the audience has had time to properly process the last.

This is, at its core, a play about science, and how we talk about science. It’s about the way we all misunderstand risk, distrust experts, and dismiss those we consider too stupid to understand our own reasoning. When the play focuses on this, it’s a work of rare brilliance. The problems arise when it gets sidetracked by other themes: the challenges faced by women in technical fields, loss of agency in old age, children’s desire not to grow up like their parents, sibling rivalry, mental illness, motherhood, guilt. While these are all interesting topics, there just isn’t time to explore them properly.

Come for the acting, stay for debate on scientific communication, and try to forgive the convoluted plot.

Source: cityam.com – Mosquites at the National Theatre review

Alice is a scientist. She lives in Geneva.

As the Large Hadron Collider starts up in 2008, she’s on the brink of the most exciting work of her life – searching for the Higgs Boson. Jenny is her sister. She lives in Luton. She spends a lot of time Googling. When tragedy throws them together, the collision threatens them all with chaos.

How would you cope if your world was turned upside down? There’s the famous phrase that ‘blood is thicker than water’; that family is everything and they’ll always support each other. A notion pushed to its limits in Lucy Kirkwood’s spectacular new play at the NT. When the inconceivable happens within your own inner circle, how do you react and most of all – how do you cope?

Mosquitoes takes a raw and intimate look into the deepest parts of our lives and paints it beautifully for all to see. Oh, and if you like your physics, there’s a healthy dose of that in there too!

It’s not all quite so heavy, as Mosquitoes packs its fair share of comedy; often leaving us in stitches with witty one liners and sassy comebacks. It’s all so reminiscent of real life as therefore is instantly recognisable, which somewhat adds to the humour. The delicate juxtaposition of dark and angst immediately after hilarious comedy is beautifully executed.

Olivia Colman delivers a sensational performance as Lucy. Raw emotion emanating from every action, this allowed an incredibly powerful sensation to wash over the audience from her first moments on stage. Joseph Quinn’s portrayal of troubled teenager and genius Luke is equally as impressive throughout – some of the best scenes coming from fraught and awkward interactions between the pair.

Olivia Williams as Alice creates some of the finest scenes when battling her sister [Colman]. The sisterly bond is well and truly felt and is a testament to the tight knit they’ve formed. It’s all so believable.

Katrina Lindsay’s design is a marvel, managing to achieve maximum effect from a small space makes for some visually stunning scenes. The use of projection at such short range, including projecting onto the audience, is powerful.

Surrounded on all four sides by the audience, the small stage of the NT’s Dorfman Theatre feels noticeably intimate, even before the play starts. So close to the action, you feel almost as if you’re intruding on their lives; a powerless witness to the crashing of relationships right before your eyes.

Raw. Emotional. Poetic. Hilarious. We could continue with the adjectives for days, though the verdict is quite clear: tTis is one piece of theatre you don’t want to miss out on!

Gay Times gives Mosquitoes – 5/5

More information can be found here.

Source: gaytimes.co.uk – Olivia Colman soars in epic NT production of mosquitoes